The friend of creative work is alertness, and nothing focusses your attention

Paper 12 concerns one narrow subject. So do papers 13 through 18. By paper 19, the method is reliable, the references familiar and the questions increasingly easy to predict.

Paper 20 changes topic.

The first attempt is a mess. A term means something different in the new field. A standard measurement cannot be used. Two reviewers ask basic questions the author finds irritating and then, after a week, useful.

Bernice Eiduson followed forty scientists for two decades. Among the most productive, topic changes were common: an average of forty-three across their first hundred papers. That figure does not tell us to abandon difficult work every time it becomes dull. Successful researchers may also receive more invitations, collaborators and permission to roam. Cause and reward are tangled.

Still, specialisation has a comfortable fraud hidden inside it. Repetition can feel like authority even after alertness has gone. You know which objections to pre-empt, which language earns approval and which result will look publishable. Very efficient. Possibly dead.

The reverse failure is easy to admire from a distance: twenty exciting beginnings, no finished work and a biography full of interdisciplinary curiosity. Changing subject can renew attention or protect someone from the dull middle where an idea must survive proper testing. The publication record shows movement; it does not reveal every escape.

Paper 21 applies the old technique to the unfamiliar material. It fails. Paper 22 modifies it. Paper 23 returns to the original subject and finds that one assumption had been optional all along.

The researcher writes “check this” in the margin. Paper 24 has a title and no results section yet.

Behavioural principles

Behavioural ideas at play in this post

Short, plain-English explanations of the principles behind this post, with links to related books and examples in the archive.